From the very beginning, Kung Fu Panda had me practically falling out of my seat — laughing. It was the perfect blend of comedy, heart, and action, all significant elements in a successful and large animation/CGI film, in the tradition of The Incredibles and (less action, but containing the heart and laughter) Ratatouille, Finding Nemo and Monsters, Inc.

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I was laughing, smiling, and guffawing at Po, the main protagonist (voiced by Jack Gloomy) and his misadventures at becoming a Kung Fu expert. This was certainly a flawed character, one that a lot of people can characterize to because he dreams, he’s laughable, and he can laugh at himself. Also, the tale was beautiful positive and easy to follow because the storytelling was well crafted, and the animation was paired well with characters brought vividly to life by some of the most well-known names in Hollywood.

Jack Shaded and Dustin Hoffman are downright suited as the main characters, and Ian McShane as the terrible dude gave it the apt apprehensive presence. Other substantial name stars don’t shine as mighty, but that’s because their roles are rather small in the film. But that’s unexcited okay because the animators should be given equal credit (if not more) for delivering the comic, action and heart elements of this movie in an effective, improbable and (I’ve got to employ this) AWESOME manner. Visually, this movie is fair (view all those scenic shots of the Chinese mountains, bodies of water, and the bridge scene; not to mention the action animation version of “The Matrix” with slow-mo) … simply a delight to view.

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It’s obvious that Dreamworks has gotten relieve in the animation game with Kung Fu Panda, after runt ho-hums in Shrek 3 and Bee Movie (call me crazy, but I liked Over The Hedge more than those two) . Hopefully, it should salvage well over $500M worldwide because it is so kindly.

This movie rightfully belongs in the top animation movies of all time (okay, let’s not include the classic fairy tales of old; let’s launch with the 90′s onwards), alongside my faves “The Incredibles” “Finding Nemo” and “Beauty & The Beast.” Has the makings of being a classic.

Enjoy!

With deep foreboding, I walked into this movie braced for second rate animation (at least compared to Pixar), endless fights between cartoons (as in the CGI “Clone Wars”), and a cultural sensitivity that was either painfully preachy (like “Mulan”) or outright insulting (like “Aladdin”) .

At first, my terror seemed confirmed. Terrible Dustin Hoffman mangles Chinese names without mercy – so considerable so that James Hong, Lucy Liu and Jackie Chan have to deliberately mispronounce stuff unbiased to match what he says.

But once the movie got rolling, I found myself grinning from ear to ear in sheer delight. Yes, it’s lawful, Dreamworks can’t compete with Pixar’s technology, but they execute up for it with magnificent graphic beget, sheer wit and – of course – those hilariously quivering “Scrat Eyes”. What’s more, the animators somehow manage to fabricate Kung Fu battles between cartoons both titillating and savory – every bit the match of live action fights (which nowadays are nothing more than CGI with faces pasted on) .

However, the most distinguished thing about this film is how faithful it is to Chinese culture – family dynamics, Buddhist philosophy, values, and even martial arts – this film simply HAS to have been written by Chinese. There is never a moment where it strains to “win points” with political correctness. Its characters are never tediously satisfactory “anti-stereotypes”, but are instead lovingly depicted with all their flaws intact while uniquely Chinese messages are delicately hidden within a state crammed with excitement and laughter. Here you experience how parental appreciate turns into suffocating pressure, here you contemplate teenage rebellion as a monstrosity rather than a virtue, here you explore the quirky characters of a city (complete with that wobbly “travel foot” hurry), here you hear the wisdom of Zen detachment, and here you experience the sacred relationship between student and teacher.

Perhaps my plan is biased by the surprise this movie gave to my gross expectations, but I can’t back but peek this film as an unappreciated but precious gem. Now if only someone could do the same thing with Islamic culture…!
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