I was fortunate enough to benefit the US premiere of Infestation, a nifty science fiction memoir with honest the honest amount of comedy, terrific performances by stars fresh and extinct, and quick dialogue. Although it was made on what amounts to a “shoestring” (less than $5 million), you’d never know it from the enormous cinematography (by Thomas Ackerman of Beetle Juice and Anchorman fame), silky (no pun intended) special effects (from newcomer/phenom Efram Potelle), and a crisp, fast-moving script (by director Kyle Rankin) .

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Chris Marquette (as main character, Cooper) is by turns endearing and intrepid. At times seeming to channel Shia Labeouf (without the “no, no, no, no, no’s”), he comes across as both exact and genuinely charming, and his transformation from phone salvage (today’s factory worker) to an against-all-odds hero holds the center of the movie. Ray Wise gets off some grand one liners as his dad, Ethan, and Dale Simonton is memorable as a boss who’s up to his ears with telemarketing slackers. (Oddly and disappointingly, Simonton’s character simply disappears after a dramatic entrance.)

Of course, Infestation isn’t perfect. The underlying account has “echoes” from quite a few other films, and sometimes it’s hard to distinguish between an “homage” and a copy. For example, there’s more than a bit of Alien (and Aliens) in the mix, both in terms of visual imagery and the presentation and organization of the “things” doing the infesting. Yet, Infestation comes across as a charming spoof that incorporates notions from a variety of science fiction films in a impish and shining nod to serious stuff that’s advance before it. In addition, the groups’ lag from the city to the scene of their final encounter wasn’t as suspenseful as it should have been. If it had a bit more of the out-of-control sense of distress in Shaun of the Listless, I contemplate it would have been a better film for it.

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I can’t review this movie without a nod to the ending. Of all the ways Infestation could have, shall we say, landed, the final scene — which I won’t give away — is elegant damn perfect. I’ll objective let you experience it.

Arguably the best creature feature since Tremors Attack Pack (Tremors/ Tremors 2 – Aftershocks/ Tremors 3 – Help to Perfection/ Tremors 4 – The Epic Begins) . Other than a bit of gratuitous nudity it should have been rated PG-13. This is unprejudiced dead fun . Giant Bugs that unlike most original SyFy fare don’t accomplish you cringe at their execution.Another throw benefit to the days of monsters that weren’t slashers disguised as creatures. Highly recommended for genre fans!Bring on the sequels!
Colon Cleanse

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