Outstanding film. Bought this DVD after seeing and enjoying Vanilla Sky. If you liked Vanilla Sky, it’s glorious engrossing to recognize Abre Los Ojos, the inspiration for it. In fact, I was surprised how closely the stories stuck together. Scene for scene they unfold in almost the precise same blueprint (unlike some Hollyweed remakes of foreign flicks) . To be objective, I like both movies a lot, and for slightly different reasons. Not definite why some folks slam the heck out of Vanilla Sky and praise this to pieces since they’re so similar (quite a few foreign film snobs seem to lean that way–which I don’t understand since almost half of my DVD collection is comprised of non-American productions) . Abre Los Ojos did an awesome job crafting a epic that was sharp and pulled the watcher in without a bunch of over-the-top special effects. One of its strengths is unbiased the sheer intention it pulls you in with the simplicity of executing a far-from-simple narrative. I do believe Penelope Cruz’ performance was stronger in this version. She adds a exiguous more depth to her character, and it feels a minute more fleshed out. Conversely I contemplate the Nunia/Julie Gianni character (the spurned fancy interest in the narrative) is better executed by Cameron Diaz. She injects unprejudiced enough of an eery quality into her character that puts you cautiously on edge. Najwa Nimri, the actress in Begin Your Eyes, does the roll well, but with less dimension. Another noticeable inequity is Noriega’s `César’ (the main character) . In Abre Los Ojos, he comes across as more of a naïve victim of circumstance. Yes, he’s callow and cocky, but not necessarily conniving. Cruise’ character seems distinguished more aware of his circumstances and bit more manipulative. Regardless of the differences, both flicks are draw worth watching, and need to be given more than one viewing to be really appreciated. Strong performances across the board encourage an inspiring and twisting anecdote line that might leave you a tiny confused at times, but definitely not bored. Five stars, two thumbs up, and a `hip hip hooray’!!

Alejandro Amenabar’s “Inaugurate Your Eyes (Abre Los Ojos) ” operates on the conception that dreams and reality ride hand-in-hand down the path of life. It deals with elements of psychological bliss and disturbance in ways reminiscent of Hitchcock and “The Twilight Zone,” evoking a tone of constant underlying scare that remains in the mind long after the movie’s earth-shattering climax. This isn’t a thriller in the old-fashioned sense, but its thought-provoking station is a testament to Amenabar’s well-behaved storytelling capability.

The film begins normally enough by introducing us to César (played by Eduardo Noriega), a wealthy man with popularity and respectable looks tucked under his sleeve. He’s got a best friend, Pelayo (Fele Martínez), who takes pleasure in chiding him about his involvement with the persistent Nuria (Najwa Nimri), who simply won’t pick no for an reply when it appears that César has lost interest in her. His birthday party marks the inaugurate of a modern relationship with the pretty and high-spirited Sofia (Penélope Cruz), yet his reservations about animated too quick with her further madden Nuria, who offers him a toddle aid to his apartment the following morning only to hasten the both of them down a hillside into a wall.

The accident leaves Nuria tiresome and César badly injured, with facial scars untreatable by his physicians, who try to convince him of the risks alive to in attempting to return his face to its used plot. His disfigurement is a burden to him, as well as to Sofia and Pelayo, who regain discomfort not in his looks, but in his downtrodden attitude and outlook on his future. Noriega captures this lapse in emotion quite wonderfully, while also sharing a large chemistry with Cruz which keeps us fervent with the romantic aspect of the chronicle as well as the forthcoming mystery.

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The movie soon reaches a point where everything seems to change… César finds himself in the arms of Sofia, sharing a like he never belief possible; his doctors have arrive up with a solution to his facial scars, restoring his face assist to its fair see. Everything seems to be going quite well for him, until one night he finds Nuria in his bed and his joyful life turned upside down by his friends, who persist in telling him that this woman he clearly despises is Sofia.

The narrative is fine at keeping its audience at bay for information and twists, casting us into a darkness so that César’s confusion and delirium soon becomes our beget as well. His struggle to recover the clues that will solve the mystery leisurely his life’s sudden downfall is piquant and effectively induces notion among viewers, who will no doubt fetch themselves recalling clues, piecing together scenes and characters, lines of dialogue and different objects César has advance in contact with. It’s all a sense of mystifying wonderment, and Amenabar is able to lay on spot twist after spot twist at impartial the proper plod so that we hunger for more.

Your acceptance of the movie’s final resolution ultimately depends on your willingness to suspend disbelief, as well as your scrutiny. It begs its audience to query its intentions, to ask why determined events have arrive to pass, why positive characters plan to be slow have approach succor to haunt César; I reflect most people will be inclined to ask one seek information from (SPOILER ALERT) : If César has been creating his gain world, then why does he torture himself with his past? This is a quiz the movie doesn’t retort forthright; perhaps it is better left unanswered, as it most likely will retract away from the impact the final twist will have.

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As I accomplish this review, I smooth acquire myself perplexed by the complex nature and aesthetic array of twists and surprises that Amenabar supplies his film with. As I watched the film, I found myself straying away from its conclusion, but upon further plan, I realize that it serves the purpose of tying the film together in a manner that does justice to the sage that leads up to it. I aloof have my reservations about the nature of César’s final station of mind, but the effectiveness of the overall film easily makes it a minor flaw.
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